While catering a gala for the Cruz Museum, Nora Charles agrees to look into the disappearance of director Violet Crenshaw’s niece, a case previously undertaken by her frisky feline friend Nick’s former owner, a private eye whose whereabouts are also currently unknown.
As Nora and her curious cat Nick pull at the string of clues, they begin to unravel a twisted tale of coded messages, theft, false identities, murder, and international espionage. Nora dares to hope that the labyrinth of leads will not only help them locate the missing young woman, but also solve the disappearance of the detective. That’s if Nora can stay alive long enough to find him...
I twisted the knob and the door swung inward, almost hitting another furry shape crouched behind it. The cat that charged at me out of the darkness had a white body and an orange and white face. It’s fluffy white tail waved like a flag signaling surrender. It landed on all four paws and stood, back arched, bright blue eyes glittering.
I looked at Nick who’d sat back on his haunches and was calmly regarding the newcomer. “Is this what you wanted me to find, Nick? You wanted me to let this cat out of here?” I made an impatient gesture. “I told you I had things to do.”
I could swear that Nick shook his head. “Meeoow,” he yowled.
The other cat turned around twice, echoed Nick’s cry, and then shot like a guided missile back through the door. I peered cautiously inside. The room beyond was black as midnight, and I had no flashlight – nor did I have the cat’s extraordinary range of night vision. I felt along the wall and found a switch, which I flipped. Illumination revealed a flight of steps leading downward into what was most likely a basement or a storage area. Nick and the other cat were halfway down the stairs. Both paused, turned and looked at me and meowed plaintively.
“I do not have a good feeling about this,” I muttered. I cautiously crept down the stairway, emerging into what appeared to be the museum storeroom, filled to overflowing capacity with boxes, cabinets and trunks of varying sizes. I walked over to one and read the white and red printed label:
PROPERTY OF MEECHAM EXHIBIT
“Oh great,” I muttered. This was obviously the place where the packing was stored for the exhibit articles. The cats were dashing madly around the room – off to a large trunk on the left side, then back to me, around in a circle, and then back to the trunk. The orange and white cat began to mew pitifully as Nick chased a few red threads on the floor. Fighting the tingling feeling inching up my spine, I moved forward and saw a black Mary Jane dangling over the side, partially obscured by a swath of red satin.
With a sinking feeling, I walked all the way around, stopped and bit back a scream.
Daisy Martinelli sat sprawled in the trunk’s center, her neck cocked at a rakish angle, the red scarf tied around it pooled like a puddle of blood in her lap. One finger was caught in the scarf’s frayed edge, almost as if she were pointing. Her sightless eyes stared straight ahead, and a little bit of drool trickled out of the side of her mouth. Her arms were tangled in the folds of a scarlet cape looped carelessly around her shoulders.
I didn’t need to feel her pulse to see that she was quite, quite, dead.
About the AUTHOR:
While Toni Lotempio does not commit – or solve – murders in real life, she has no trouble doing it on paper. Her lifelong love of mysteries began early on when she was introduced to her first Nancy Drew mystery at age 10 – The Secret in the Old Attic. She (and ROCCO, albeit he’s uncredited) pen the Nick and Nora mystery series from Berkley Prime Crime – the first volume, MEOW IF ITS MURDER, debuted Dec. 2, 2014. Followed by #2, CLAWS FOR ALARM. #3, CRIME AND CATNIP, is out this December. She, Rocco and Maxx make their home in Clifton, New Jersey, just twenty minutes from the Big Apple – New York. Catch up with them at www.tclotempio.com and www.catsbooksmorecats.blogspot.com.
OK You’ve written your book – now what do you call it?
You’ve spent hours, days, creating your little masterpiece, your baby, and finally – you’re done! Now comes the hard part – what do you name it?
Sometimes thinking up a title for a book is even harder than the actual writing of the tome itself! How do you come up with the perfect title? Well, I’ve found there are four things to consider:
1. Make it Easy
A title that’s easy to remember goes a long way. There are a few ways to make your title memorable: Alliteration is always a good choice (Wind in the Willows, Christmas Carol). Making it short is a good idea also: Gone With the Wind, Little Women, Scarlet Letter. OK, they’re classics but you get the idea.
2. Hold their Interest
Just as your characters should be interesting, so should your title! What makes a title interesting? Well, contradictory qualities help. (War and Peace) Also descriptive titles are eye-catching (Farenheit 451 comes to mind)
3. Genre Indicative
Sometimes people like titles that clearly indicate the genre. For example, you’d hate to buy a book where the title indicates a romance and find out it’s a Neo-Nazi thriller instead, right? Cozies are a good example of genre indicative titles, particularly where animals are concerned. My own series, which features a detective tuxedo cat, has titles like Meow if it’s Murder and Claws for Alarm. The titles don’t’ always have to refer to the feline characters, though. the Black Cat Bookshop series by Ali Brandon has titles that are more indicative of the location rather than the feline sleuth: Plot Boiler, Words with Fiends, A Novel Way to Die.
4. Make ‘em Laugh!
Lastly, what attracts attention more than anything else? A title wth a bit of humor, or perhaps a “punny” one. Many are inspired by popular movies: Dead Witch Walking and For a Few Demons More, by Kim Harrison and Arsenic and Old Books and Twelve Angry Librarians by Miranda James are good examples.
You should research titles in your particular genre to see what the most popular titles are. What do they have in common? Note the ones that seem particularly effective (sales figures help) and try to figure out how you might replicate them in terms of your own book.
Of course, the content of your novel should also be a factor. Sometimes a line taken right out of the book can make a wonderful title. Check your text for memorable phrases or sentences. Is there one line from the book that can sum it up?
Basically, a great title can be a popular expression, a play on words, an association of events – a title can be many things, but what it should be is something that will guide people right toward your book on the s helf! A title, as long as it fits the story, can be simple. And, as with writing, where choosing a title is concerned, practice makes perfect!
T. C. Lotempio will be awarding a $25 Amazon or Barnes and Noble GC to a randomly drawn winner.